Communication Studies and Language Media Studies

Focus Pulling for Film Production Training

SAQA US 243975 | NQF 5 | Credits 15 | Duration 12 Days
From $2,214 per delegate

Description

This course equips learners with the practical skills and theoretical knowledge required to execute precise focus pulling on a film shoot. Participants will master the techniques of maintaining sharp focus on moving subjects, collaborating with the camera department, and using industry-standard equipment. The course ensures competency in achieving cinematic focus pulls that enhance storytelling in film production.

Learning Outcomes

  • Demonstrate the ability to set up and calibrate a follow-focus system on various camera rigs.
  • Apply techniques for maintaining focus on moving subjects during dynamic shots.
  • Analyze shot requirements and plan focus pulls in collaboration with the cinematographer.
  • Evaluate environmental factors such as lighting and depth of field to adjust focus strategies.
  • Implement safe handling and maintenance procedures for camera and focus equipment.
  • Communicate effectively with the camera and lighting teams to ensure seamless focus transitions.

Target Audience

This course is designed for aspiring and current camera assistants, focus pullers, and film production crew members who wish to specialise in focus pulling. It is also suitable for directors and cinematographers seeking a deeper understanding of focus techniques.

Prerequisites

None — open enrollment

Course Outline

Day 1: Introduction to Focus Pulling and Camera Basics

Objectives:
• Understand the role of a focus puller in a film production
• Identify key camera components related to focus
• Explain the principles of depth of field and focal length
• Describe the importance of focus in visual storytelling

Topics:
• Overview of the film production hierarchy
• Camera anatomy: lens, aperture, focus ring
• Depth of field: factors affecting it
• Focal length and its impact on focus
• Introduction to focus puller's equipment
• Safety in the camera department

Day 2: Optics and Lens Fundamentals

Objectives:
• Differentiate between prime and zoom lenses
• Understand lens markings and distances
• Explain the concept of hyperfocal distance
• Identify common lens aberrations and their effect on focus

Topics:
• Prime vs zoom lenses: pros and cons
• Lens markings: focus distance, aperture, depth of field scales
• Hyperfocal distance calculation and application
• Lens aberrations: chromatic aberration, flare
• Lens maintenance and care
• Practical exercise: reading lens markings

Day 3: Focus Pulling Techniques and Tools

Objectives:
• Operate a follow focus unit
• Use distance marks and whip pans
• Apply the 'pull' technique smoothly
• Calibrate a wireless focus system

Topics:
• Follow focus units: types and setup
• Marking techniques: witness marks, tape
• Smooth pull techniques: hand positioning, speed control
• Wireless focus systems: calibration and use
• Tools of the trade: monitors, loupes
• Practical exercise: basic focus pulls on a static subject

Day 4: Measuring and Marking Distances

Objectives:
• Use a tape measure and laser rangefinder accurately
• Create focus marks for different shot types
• Understand the importance of consistent measuring
• Apply measuring techniques for moving subjects

Topics:
• Tape measure techniques: from sensor plane to subject
• Laser rangefinders: advantages and limitations
• Creating focus marks for static and dynamic shots
• Measuring for close-ups, wide shots, and inserts
• Common measurement errors and how to avoid them
• Practical exercise: measuring and marking a scene

Day 5: Working with Actors and Blocking

Objectives:
• Collaborate with actors to establish marks
• Adjust focus based on blocking changes
• Communicate effectively with the director and DP
• Manage focus during rehearsals and takes

Topics:
• Rehearsal process: marking actor positions
• Adjusting marks for blocking adjustments
• Communication protocols on set
• Dealing with unpredictable actor movement
• Focus pulling with multiple actors
• Practical exercise: focus pulling during a scene rehearsal

Day 6: Advanced Focus Techniques

Objectives:
• Execute rack focus shots smoothly
• Perform follow focus on moving subjects
• Use focus to guide the viewer's attention
• Adapt techniques for different camera movements

Topics:
• Rack focus: timing and technique
• Follow focus with dolly and handheld shots
• Focus for Steadicam and gimbal shots
• Creative focus: shallow depth of field effects
• Troubleshooting common focus issues
• Practical exercise: rack focus and moving subjects

Day 7: Focus in Challenging Conditions

Objectives:
• Maintain focus in low light and high contrast
• Work with wide apertures and long lenses
• Manage focus during night shoots
• Adapt to environmental factors like heat and humidity

Topics:
• Low light focus techniques
• Wide aperture challenges: shallow depth of field
• Long lens focus: breathing and stability
• Night shooting: using lights and monitors
• Environmental effects on equipment
• Practical exercise: focus pulling in low light

Day 8: Technology and Tools: Monitors and Assistive Devices

Objectives:
• Use monitors with focus assist features
• Apply peaking and magnification for accuracy
• Utilize wireless video transmission
• Integrate tablet or phone apps for focus assist

Topics:
• On-camera monitors: types and features
• Focus assist: peaking, false color, zoom
• Wireless video transmitters and receivers
• Apps for focus pulling: Artemis, Focusbug
• Setting up a monitor station
• Practical exercise: using focus assist tools

Day 9: Collaboration with Camera and Lighting Departments

Objectives:
• Coordinate with the camera operator on framing
• Understand lighting's effect on focus
• Work with the gaffer on set lighting
• Communicate with the 1st AC and DIT

Topics:
• Camera operator collaboration: frame and focus
• Lighting intensity and contrast affecting focus
• Working with the gaffer for optimal light
• Data management and focus notes with DIT
• Set etiquette and teamwork
• Practical exercise: integrated scene with lighting

Day 10: Focus Pulling for Different Genres and Styles

Objectives:
• Adapt focus techniques for documentary, drama, and action
• Handle focus for long takes and complex choreography
• Apply focus for visual effects plates
• Manage focus in multi-camera setups

Topics:
• Documentary style: run-and-gun focus
• Drama: emotional focus pulls
• Action: dynamic focus with fast movement
• VFX plates: consistent focus for compositing
• Multi-camera focus coordination
• Practical exercise: genre-specific focus scenarios

Day 11: Problem-Solving and Troubleshooting

Objectives:
• Diagnose and fix common focus issues on set
• Handle equipment malfunctions quickly
• Maintain focus during take after take
• Develop contingency plans for focus challenges

Topics:
• Common focus problems: back focus, lens breathing
• Emergency fixes: tape marks, quick recalibration
• Maintaining consistency across multiple takes
• Backup equipment and plans
• Communication during technical difficulties
• Practical exercise: simulated troubleshooting

Day 12: Professional Practice and Career Development

Objectives:
• Understand the business side of being a focus puller
• Build a professional kit and resume
• Network effectively within the industry
• Prepare for job interviews and on-set expectations

Topics:
• Industry standards and rates
• Building a focus puller kit on a budget
• Resume and showreel creation
• Networking strategies
• On-set etiquette and professionalism
• Final practical assessment: complex focus pulling scene

Practicals

36 hours of practicals To be conducted online or on-campus or in-house
Overview

Practical sessions are integral to this course, allowing learners to apply theoretical knowledge to real-world focus pulling scenarios. Through hands-on exercises with professional equipment, learners develop muscle memory, problem-solving skills, and the ability to work under pressure on a film set.

Practical Activities
  • Basic Focus Pulling Exercises — Learners practice marking and pulling focus on static subjects using follow focus units and tape measures. (8h)
  • Dynamic Focus and Rack Focus — Learners perform rack focus shots and follow focus on moving subjects with dolly and handheld camera movements. (8h)
  • Challenging Conditions and Troubleshooting — Learners practice focus pulling in low light, wide apertures, and simulated equipment failures. (8h)
  • Integrated Scene Practical — Learners work in teams to pull focus for a multi-scene short film with actors, lighting, and camera movement. (12h)

Summatives

Each delegate is assessed continuously throughout the course via daily exercises, scored practical assignments, and a final summative test at the end.

Practical Assignments — 30%

Practical assignments are observed and scored against a rubric during the practical sessions. Each delegate's practical mark is averaged into a single 100% score and contributes 30% to the final total.

Daily Exercises — 20%

Every training day ends with a multiple-choice exercise scored out of 100%. The scores from each daily exercise are averaged across the duration of the course to produce a Daily Average mark, which contributes 20% to the final total.

Final Test — 50%

On the last day a final summative test is written. It is a multiple-choice paper with multiple-answer questions: each question may have more than one correct option, and a single wrong selection on a question marks the entire question wrong — no partial credit. The final test is scored out of 100% and contributes 50% to the overall mark.

Final Total
Component Out of Weight
Practical Assignments (rubric-scored) 100% 30%
Daily Average (multiple choice) 100% 20%
Final Test (multi-answer multiple choice) 100% 50%
Final Total 100%

All marks are recorded on the AATICD LMS and visible to each learner under their account.

Certificate

Certificate of Completion

Awarded to delegates who achieve an overall mark of 50% or higher on the Final Total (Practicals 30% + Daily Average 20% + Final Test 50%).

How it works
  • Certificates are auto-generated on the AATICD LMS as soon as the marks pass the 50% threshold.
  • Each certificate is a branded PDF with the delegate's name, the course title, the unit standard ID, NQF level, credits, and the date of issue.
  • You can download or print your certificate from your LMS dashboard at any time after issue — there's no reissue fee and no expiry date.
  • If you scored under 50% you can sit the final test again at the next scheduled session at no extra cost.
Where to find it

Sign in to the LMS, open your dashboard, and your certificates appear under My Certificates. Each entry has a View / Download button and a print option.

Training Discounts

Group discounts apply automatically — the more delegates you enrol, the greater the saving. Discounts are calculated at 3% per 5 delegates, scaling up to 40% off for 100+ delegates.

Delegates Discount
5 3% off
10 6% off
15 9% off
20 12% off
25 15% off
30 18% off
50 30% off
75 35% off
100 40% off

3% discount per 5 delegates, up to 40% off for 100+ delegates. Contact us for a custom group quote.

Upcoming Training Sessions
Online training — attend live sessions from anywhere via our virtual classroom.
Start End Delivery Season Price Action
Wed 09 Sep 2026 Thu 24 Sep 2026 Virtual Spring 2026 $2,214 Register
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Fri 31 Dec 2027 Mon 17 Jan 2028 Virtual Summer 2027 $2,214 Register
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On-Campus training — face-to-face sessions at our training venues across Africa and beyond.
Showing all 499 sessions across 26 venues
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In-House training — we bring the trainer to your organisation, tailored to your team.
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Mon 25 Oct 2027 Tue 09 Nov 2027 Your Premises Spring 2027 $2,878 Register
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Mon 03 Jan 2028 Tue 18 Jan 2028 Your Premises Summer 2027 $2,878 Register
Fri 28 Jan 2028 Mon 14 Feb 2028 Your Premises Summer 2027 $2,878 Register
Training Discounts
Delegates Discount
5 3% off
10 6% off
15 9% off
20 12% off
25 15% off
30 18% off
50 30% off
75 35% off
100 40% off

3% off per 5 delegates, up to 40% for 100+

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